Gilmour Returns to the Royal Albert Hall

Gilmour_AdDavid Gilmour, famed guitar player and vocalist of Pink Floyd fame staged a short tour supporting his new solo album Rattle That Lock visiting several venues in Europe and the U.K. this fall. We caught one of several dates booked at the Royal Albert Hall on 2nd October 2015. It was a lovely evening featuring a nearly equal number of selections from Gilmour’s solo and Floyd output.

Gilmour_AcousticGilmour recently announced the demise of Pink Floyd as the release of his new solo album drew near. The final record under the Floyd banner, The Endless River, out just last year, brought together jams and song ideas that originated during development of the last proper album, 1993’s The Division Bell. The overwhelming impression I got from interviews and press around this project was that it was exhausting, and it made sense that Gilmour later announced the end of the band. Despite this epitaph, it was expected that he would include songs from the Floyd, and there were quite a number of these in the set list, including “Astronomy Domine,” “Fat Old Sun,” “Money,” “Us and Them,” “Shine On You Crazy Diamond,” “Wish You Were Here” and closers “Run Like Hell,” and “Comfortably Numb” from their early catalog. In addition, “Sorrow” from A Momentary Lapse of Reason, and “High Hopes” and “Coming Back to Life” from The Division Bell, rounded out the later Floyd material.

During the encore, “Time” and “Breathe (reprise)” from Dark Side Of The Moon called to mind dear departed Floyd keyboardist Richard Wright and the lyrics he delivered so perfectly during Gilmour’s prior tour, supporting On An Island. Somehow it seems so long ago:

Every year is getting shorter; never seem to find the time.
Plans that either come to naught or half a page of scribbled lines
Hanging on in quiet desperation is the English way
The time is gone, the song is over,
Thought I’d something more to say.

Gilmour_Time

The recent recording Rattle That Lock is packed with music rooted in blues-rock, with a mix of genres sprinkled in, as it was with Gilmour’s last solo outing, On An Island. Despite a rather listless title track, there is much to admire in this work, from jazz-club riffs to haunting slow-hand blues. The best of the new songs came off nicely live. The first three tracks opened the show, followed later by four additional songs “A Boat Lies Waiting,” “In Any Tongue,” “The Girl in the Yellow Dress,” and “Today.” All things considered, a nicely drawn set list of solo and Floyd gems.

As to staging, the psychedelic lighting, stage level and follow spots, and the huge round screen, were again spectacular. A few classic Floyd videos were presented onscreen, and new films for tracks “Rattle That Lock,” and “The Girl In The Yellow Dress” the latter directed by David Madden, were fantastic. For that one, Gilmour suggested we all imagine ourselves at a French café; a fitting image for this jazzy piece and it’s animated imagery. The Royal Albert Hall was long ago the venue for a summer evening concert from Pink Floyd in 1969. During that show, a powerful smoke bomb ended the concert, resulting in a lifetime ban from the hall. Lifted only eight months later, it was a short-term bit of notoriety for the Floyd. The lighting, films, lasers and vapors were present again for Gilmour this time, sans explosions. It was a feast for the eyes and for the proggy-blues fan in all of us.

Gilmour_BandGilmour delivered his typical searing guitar solos expertly and his voice was in good form, with plenty of gravel when needed, but still able to deliver smooth soft tones. His band, mostly returning from the last tour, was professional and tight. Musicians included returning band members, guitarist Phil Manzanera of Roxy Music fame, Jon Carin on keys, guitars, and vocals, Guy Pratt on bass and vocals, and Steve DiStanislao on drums. Joining this time was Kevin McAlea on keys, and Joao De Macedo Mello who supplied expressive winds (Theo Travis played same on the European leg.) Bryan Chambers and Louise Clare Marshall covered backing vocals.

It’s hard to pin down, but something seemed a bit off in the show this time. It feels wrong to blame it on Gilmour’s stage presence, being that he has always been a bit stoic live, rooted in position about his pedals and microphone, eyes often closed. So possibly it was the ordering of the set list, the large number of down-tempo songs, the lack of guest performers, or the mood of the musicians on this particular night, but the whole lacked energy. Having David Crosby and Graham Nash present to sing harmonies on two of Gilmour’s best two solo tracks “On An Island” and “The Blue” was special and poignant on the last tour, and they were present on September 23rd, but not for our show. The last tour also saw visits from Robert Wyatt and David Bowie but no one other than Crosby/Nash appeared this time. And obviously, the absence of Floyd keyboardist Richard Wright was felt. Maybe what we witnessed was actually a bit of serenity from a man who has broken a few of his own chains, free of past encumbrances, owing nothing to anyone, and living in the moment.

Gilmour_Run

In retrospect, any chance to see this legendary musician is an event, given his continuing stature as one of rock’s greatest guitarists. The tour continues next year where we will catch one of three nights at the Hollywood Bowl – recommended to any fan, particularly as these solo shows are few and far between. Get yourself a ticket and go before the time is gone, and the song over.

2 thoughts on “Gilmour Returns to the Royal Albert Hall”

  1. The question of whether to buy product from pensioner legends or attend superannuation concert tours is a vexed one, isn’t it? Is it truly ‘live’ (as in current) or more ticking off a box of another legend seen, like museums on a world trip.
    Mr Gilmour seems to be drifting peacefully down the endless river to the sea and good luck to him – he’s a great musician and doesn’t own anyone anything; guess we each have to decide whether to join him or exert ourselves to paddle in a different direction.
    None of which affected my enjoyment of your balanced and thoughtful review, Doug. Thanks.

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