Bad Company is one of the most important rock bands of the 1970s. They topped a hard rock core with silky smooth yet gritty production values, hooks galore, and pedigree in each musician. They are a band I had to, regrettably leave out of my upcoming book Rockin’ the City of Angels. The omission is due in large part to a few issues – most importantly that the book is a celebration of the outstanding concerts of the ‘70s including classic rock and prog bands, and I did not get to see them in concert until recently. I could not find any footage nor official live albums of the band during that decade. That last excuse has just been remedied with the release of an outstanding double-CD set of Bad Company Live in concert 1977 and 1979.
The release is exceptional in every important way. The first set, recorded in 1977 at The Summit, Houston Texas, May 23, 1977 captures the band tearing through 15 tracks over 76 minutes, starting off with the title track from that year’s album Burnin’ Sky (1977) and ending with the mega-hit “Feel Like Makin’ Love.” Label mates Led Zeppelin played the same venue just two days earlier, and this show similarly brims with crackling intensity. The second set is just two minutes longer with the same number tracks, taken from the Empire Pool, Wembley Arena in London March 9, 1979, where they did three shows to 12,000 fans each night, just a week before the release of Desolation Angels (1979) considered by most to be their last strong album. The set list begins with the title track of their debut, Bad Company (1974), and ends with another hit “Can’t Get Enough.” In between quite a number of the “then new” tracks are included, most notably “Gone, Gone, Gone” and “Rock ‘N’ Roll Fantasy.” In addition a cover of the Hendrix breakout hit “Hey Joe” was taken from the Capital Center, Washington DC, also in ’79.
Overall, the sets are edited so that there are only two tunes repeated between the 1977 to 1979 shows – just “Shooting Star” and “Feel Like Makin’ Love” appear on both discs, smartly leaving buyers with a generous helping of 28 songs performed live. Most importantly, these sets sound fantastic. There are no overdubs made to either show, a fact noted on the promo sticker. Fans of the band know how unnecessary sonic tinkering would have been, as the original four-piece Bad Company lineup was known as a non-nonsense powerhouse in concert. My book designer Tilman Reitzle saw the show in ’79 and told me the band was the most rehearsed, professional group he had ever seen, able to be precise while still keeping the energy and excitement at the highest level. Between-song chatter was kept to a minimum, and you can now hear the remarkable economy and precision of their delivery on this set. It comes from the rock-steady beat of drummer Simon Kirke (ex-Free), to the baddest fretless bass from Boz Burrell (coming off a stint with King Crimson), amped guitar riffs from Mick Ralphs (ex-Mott The Hoople), and pitch perfect vocals from Paul Rogers (also ex-Free), certainly one of the genre’s most talented, dependable vocalists, not to mention his capable chops on piano and guitar, which helped to round out the band’s sound.
The booklet, authored by David Clayton is informative, if a bit shy on photos of the guys on stage and off. Having said that, the shots that are included, by Brannon Tommey, Bruce Kessler, Alan Perry, and Aubrey Powell are fantastic. There are also snaps of memorabilia – mostly ads for the shows, tickets and backstage passes. The booklet includes a background with lots of information about their progress in studio and the extensive, sometimes punishing touring schedule. Clayton puzzles as to how these tapes remained untouched in the vault for 40 years, something we can all agree on. He also provides this, a favorite quote about the band: “guys wanted to be them and girls wanted to be with them.”
It’s said that manager Peter Grant’s belief that live audio and film recordings took away from the impetus to see his bands live contributed to the unavailability of these artifacts from Bad Company. Grant also managed Led Zeppelin who released limited and rather poor live audio and filmed material during the decade, something that has also been rectified in years since. Fans can now rejoice that at least on the audio front this has been corrected with this superb new CD release. Add it to your collection, and hang on for video that hopefully one day will follow…
Best videos I’ve located from the 1970s are almost exclusively from television appearances:
Feel Like Makin’ Love:
Can’t Get Enough: