Rick Wakeman & Tony Ashton’s Gastank

wakemangastank_ad-breakRick Wakeman just released DVD and CD/DVD sets of the original series called Gastank, a unique show aired in the U.K. on channel 4 back in 1982-1983. It featured Wakeman interviewing a host of musical artists as diverse as Steve Hackett, Ian Paice, Andy Fairweather Low, John Entwistle, Eric Burdon, and Godley and Crème, then joining these musicians for a few live numbers with stalwart cohost Tony Ashton and friends. The show was beloved by fans of rock and prog music who had the chance to see some well established rock ‘n’ roll heroes, along with a few overlooked artists of the era, play bar blues, classic, progressive old and new songs live in an intimate setting. It’s available via Wakeman’s site and at Gonzo Multimedia here: http://www.gonzomultimedia.com/product_details/15960/Rick_Wakeman-Gastank_(DVD).html

Anyone interested Wakeman’s mid-period work, or any of the guests on this show are advised to pick up a copy of this rare set. Every segment is interesting and even of historical importance in some way, be it the interviews or live numbers. One of the best moments of the set is Wakeman and Ashton sharing a piano for a hilarious bit simply called “Keyboard Adlib.” That and Steve Hackett’s “Boogie” alone are well worth the price of the set! Sound good? Read on…

Background / Interview with Rick Wakeman

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Rick Wakeman and Steve Hackett

The year is 1982. Popular music has gone through several tumultuous years, an understatement for artists of the time. Classic and progressive rock musicians are at that moment reimaging themselves, their sound, and their stagecraft, in light of new influences, and the tremendous impact of music videos via the juggernaut called MTV. Punk has come and mostly gone, but continues to influence a host of bands, all plying slightly different musical territory, be it goth, ska, “new wave” dance or one of any number of increasingly eclectic musical styles.

In the face of these events, Wakeman and Tony Ashton, established a new television show called GasTank. Produced by Paul Knight with associate Ralph Tobert, Directed by Gerry Mill and recorded in a pub setting with stage and small studio audience, the show aired in the U.K. on channel 4 in 1982-1983.

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John Entwistle and Rick Wakeman

As an example, GasTank #1 kicks off with a couple of pieces by Ashton and Wakeman, then features friends Rick Parfitt from Status Quo, a reggae band The Cimarons, then legends Alvin Lee and Eric Burdon. Ashton brings a sense of humor, honky tonk bar-band blues piano and gritty vocals to his featured songs – his bits are often tongue-in-cheek and always enjoyable. Wakeman is, well, the man and musician we’ve come to know over so many years in the business – funny, disarming even, and as always brilliant on the keys. The house band includes long time Wakeman drummer Tony Fernandez with Chas Cronk and Jerome Rimson on bass. The rest of the crew play their parts whether an original tune from their catalog, or a suitable cover, such as when Eric Burdon introduces a long time Elvis Presley favorite. It’s intimate and thoroughly enjoyable for any fan or interested viewer.

Three cameramen, Richard Dellow, Andy Watt, and Mike Hand Bowman capture the action primarily from positions just in front of the small stage, or on it, affording us an upfront view of fingers, frets, and performances. The sound by Mike Erander and enduring quality of the footage itself is exceptional.

GasTank has long been unavailable on home video in any format. The box set from Gonzo Multimedia puts that right. It includes every episode of the series, presented over 2 DVDs (and in the larger set 3CDs as well) along with an interviews book and other goodies.

But there is a bit more to the story of GasTank, and for that we talked to the man himself, Rick Wakeman to learn more.

Rick, how did the concept for Gas Tank come about?

My dear friend Tony Ashton came up with it. The whole idea of the program, of playing live with people was his brainchild. He came up with the name as well, which I thought was a great name – back then “gas” was a hip expression. He was wonderful to play with – all Tony wanted to do was play piano, which worked well cause I played synths. He was a great boogie-woogie rock player – bands like Ashton, Gardener and Dyke and all the other groups he worked with are evidence to that. He was so, so good. It was sad when he died. One of the nice things is when I watch the programs – it’s the memories of seeing Tony play and all the good times that we had that I cherish. We did have amazing amounts of fun.

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Tony Ashton and band

What to you are some of the standout moments from the interviews or performances from the show, from your perspective?

There were quite a few standout performances. Phil Lynott was a great friend who came on and you’ll see when you watch it, he introduced a new member of Thin Lizzy, one that became a very important part of the band. John Entwistle’s solo appearance will remain with me forever. I asked him to come on – he was a great friend. I said “I want you to do a long solo – imagine an extended “My Generation” type of solo.” He said okay. So we wrote this piece for him and he did it in rehearsal. It was a good solo – a bit subdued, but I thought it would be really nice. Then his roadie took me aside and said ‘be prepared for tonight – that was just playing around.’ The solo he did for the taping was just jaw dropping – he absolutely knew how to take it to that next level. We had some good fun things on there. Suzy Quatro, Maggie Bell – lots of other performances. There were fun things as well – odd comments made, John Entwistle made one comment and his ex-wife sued him!

We had a great house band – we had a lot of fun with the house band – all great friends and camaraderie. Alvin Lee was on as a guest and he was fantastic. He loved it so much, he asked to come down and play in the house band. We had that with a few of the guest musicians – not just playing and leaving but most staying all day and watching the other people that came in. We had it set up like a club, and it was a great idea and it would still stand up today.

Give us one or two humorous anecdotes about the proceedings, something that went wrong or was surprising or even shocking?

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Rick Parfitt came in and it was the first time he had ever performed solo. And I remember him saying to me “I’m nervous, I never get nervous!” He helped overcome his nerves before we did the interview, by getting completely rat-faced; mind you I was as well. I sat with him doing the interview and I saw the lights were on but no one was in, and he could see in me there wasn’t anyone in either! I asked him a question (mumbles) “how did it feel to do your first solo” and he just grinned – and you can’t see this part because the footage was lost, but he came off the stool and he stumbled by me and landed on the floor (whack). The producers voice came down from upstairs and he said, “probably best to do this interview tomorrow!”

We used to do the interviews after the recordings, we would record in the morning then we would have a liquid lunch then we would do the interviews in the afternoon. They organized a green room, which was heavily stocked with alcohol – better than most pubs and bars. After the incident with Parfitt the green room was only opened after the interviews had been done!

More of this interview can be found inside the set’s booklet, including artists of today who would be on Rick’s wish list if there show were to be revived… and a recollection by dearly departed talent Tony Ashton

Not included, however, is Rick’s perfect pitch for the DVD/CD Box Set:

I can truly recommend that you buy this wonderful collection. The reason I can say this is, I’d buy it myself! It contains so much history, so much fantastic playing, interviews that will never be heard again from a lot of people whom sadly are no longer with us. There’s some music that was never recorded anywhere else. It’s part of our heritage and history and if you’re old enough to remember it, it will bring back great memories. If you weren’t even born at the time, I’m sure you will like a lot of the music, and will like going back and learning how so much of it came about. The GasTank collection, there will never be anything else quite like it, I can guarantee that!

 

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