The Beginning and the Enz of an Era Part III, the End of the Enz

As we learned in part II of this 3 part series, Split Enz was formed by singer/songwriter Tim Finn in 1973, along with Phil Judd (guitars). Tim’s younger brother Neil joined the band for their 1977 album Dizrythmia. While punk was raging in Britain (Sex Pistols) and pop-punk in the states (Ramones), Split Enz was still recording decidedly-not-punk music, while making quiet preparations to draw the world into their loving circle.

Split Enz Vol_III Band Photo

Where we left off, this marvelous act had released a two-fer-of ear candy – True Colors (1981), and Waiata (1981). The two albums that came next will forever go down in the cannon of proggy-new-wave music as absolutely perfect records based every possible measure.

Split Enz Vol_III Time&TideCover_72dpiTime and Tide was recorded in 1981 and released in 1982; the third number 1 album Split Enz brought to ANZ. Tim’s opener to side 1, “Dirty Creatures” (also written by Neil and Nigel) and accompanying video were instant classics for new wavers of the 80’s. “Pioneer/Six Months in a Leaky Boat” grace side 2 and similarly nail every newly minted model in the new wave genre, while being a bit of a sea shanty at the same time! Said to be somewhat autobiographical, the Creatures/Six Months tracks were instant Tim Finn-led classics. In between, Tim’s “Never Ceases to Amaze Me,” and “Small World” cap a brilliant collection from this tenor wonderkind.

The pair of Finn brothers are credited with “Lost for Words,” quite possibly the greatest Enz song on record. Great lyric: “I can’t relate, to your vicious excuses, the damage has all been done, and talking is useless….” Now listen to the bass/drum beats of the verse/chorus and in particular the middle section, while Eddie plays a haunting set of chords that chill, leading back to the verse “I’m looking for words, I give it all I got, And I’m lost for words, you don’t even listen – its’ all been said before so I’ll just turn and walk away.”

Neil is not to be outdone on this classic Enz record. He checks in with “Hello Sandy Allen,” (the world’s tallest woman) and my favorite early Neil track, “Take a Walk.” The lilt of his upbeat guitar, the happy yet seriously dramatic sound of Eddie’s piano thrill as Neil sings:

I could take a walk again
Up a mountain to a stream
Standing on the open rock
Looking out over the sea
Funny when we move ahead
Never worry what we leave behind
Remember what a friend of mine said
You gotta be kind

Truer words…..

Now, before the band composition “Make Sense Of It” which closes the record, the brothers each pen a classic seemingly autobiographical two-fer – Tim’s “Haul Away” (“at 21 I was thirsting for experience and my brain was about to burst”) and Neil’s more haunting, dramatic reading, “Log Cabin Fever:”

It’s cold out hear the wind howl down the chimney
Wish I could just cry out to someone, help
But we live in isolation of the cruelest kind
Scared to show our colours to the world

Time to break away from my condition
Rejoin the human race, see what I’m missing
Try to face the day my private passion
Is eating me away

It’s well worth mentioning at this point that Noel Crombie (drums) and Nigel Griggs (bass) have honed their fine skills to the point that every song is anchored and embellished with their work. Many of the most effective parts they play are based on a kind of aboriginal tribal sound, a compelling combination of tones that will move even the most jaded listener. They teach a master class at the low end.

Split Enz Vol_III Live VHSThat any tour dates from the Time and Tide tour were caught on video is a miracle. It was getting more common by the early 80’s to capture bands on video, but we have many examples to share of groups that have paltry little to show in terms of live in concert documentation.

The live show is taken from an evening in Canada at Hamilton Place in 1982. While to date only available on VHS and YouTube, hopes remain that a proper restoration will come to light for those who never saw the band in their prime.

 

———————

Split Enz Vol_III ConflictingCover_72dpiThe final recording to feature the classic 1980-1983 lineup of Split Enz follows Time and Tide. Marred by a lack of basic PR — hampered by mistakes made by Mushroom Records, they do only a short tour for this record upon its release in 1983. Instead, Tim releases his first solo album, a beautiful work titled Escapade, and the band, essentially, spontaneously dissolves. This time though, Tim’s outside work allow more focus on Neil, who pens 6 of the tracks on this final brothers-together album Conflicting Emotions. Importantly, Neil’s work includes the ode to his newborn son, Liam, called “Our Day.” Considered by this ardent fan as Neil’s greatest lyrical achievement (with unbelievable band backing) the singer /multi-instrumentalist /songwriter pens the greatest cautionary welcome to a child, still in the womb, ever attempted:

Let our love create another life
It’s growing even as we speak
He don’t know what’s waiting for him here
Suspended in his dream sleep
His mother’s all around him
His father’s just a sound to him, singing gently
We have promised him a future
So I’m hoping that tomorrow
Is, was, and will ever be

And we’re waiting now
Waiting for our child to come
The old age is near the end
The new one’s just begun

There’s a face that I will come to love
That I have never seen before
There’s a brain that’s absolutely free
From any kind of conscious thought
You are me, and you are she
It won’t be long ’til we meet
And I’ll be going on a journey
In a flimsy paper boat upon a stormy sea

And so we’re waiting now
Waiting for our child to come
The old age is near the end
The new one’s just begun

Yes we’re waiting now
For something burning far away
Tear the old age down for good
Welcome the young one

I’m shaking like a leaf
Wound up like a spring tonight
You say this ain’t no place for children
Oh God, I hope that what we’ve done is right
Am I vain to feel as if the world
Owes anything at all to me
Searching, burning, tossing and turning
Desperately

And so we’re waiting now
Waiting for our child to come
Can’t imagine what the future holds
Just hoping there is one

Yes we’re waiting now
For something burning far away
Tear the old age down for good
Welcome the young one

Hear this my son, I promise you the best that we can do
We love, we love, we love, we love, we love, we love you…

© Neil Finn / Split Enz

(I hope sincerely that Neil does not mind the reprint here – I do not like to do this, but I talked to Liam about this song, and he shared that it was truly written for him, and it’s just one of the best lyrics written ever, ever, ever, period (peace Neil)).

Neil Finn just nails everything he does on Conflicting Emotions, including opener “Straight Old Line” (also objectively, the best video of the band) “Message To My Girl” (which sent hearts a flutter all over the world), and “No Mischief” followed by “The Devil You Know.” At this point it’s clear — and fortunate, Neil is ready to lead the band, and eventually form his own, Crowded House.

Tim contributes stellar tracks once again, “Working Up An Appetite,” “I Wake Up Every Night” ” (ode to dance lover – this time he do want to dance!), “Conflicting Emotions,” (their most spacey, proggy cut of the band’s catalog and an overt vocal display of vibrotechnics (my word)) and the absolutely gorgeous, heart rending finale “Bon Voyage.” Any listener who by this time does not understand why Tim is one of this earth’s greatest ever tenors, is frankly deaf.

Yes there is some controversy over this album, ignore it, the greatest art we have in this world is marred by controversy, and this is no exception. But, it does mark the point where Tim leaves the band he had started way back in the 70’s, just after Conflicting Emotions, the band’s finest hour.

Photos of the Conflicting Emotions Tour © 1983 Graeme Plenter:
http://www.rockvizion.net/artists/splitenz.html

Split Enz Vol_III See Ya RoundNeil bats “clean up” in 1984 with a collection of songs that were B-sides (“Kia Kaha (Ever Be Strong)”), or were destined for the first Crowded House release (“I Walk Away”). “This Is Massive” is credited to new drummer, and future CH skins maestro Paul Hester. Titled See Ya ‘Round the final album caused more than a few dry eyes to tear up, as it represented the Enz of an era (I can’t help myself). It’s a great album in it’s own right, and while Neil was reportedly uncomfortable going it alone as to Finn family members, it does not show in the results. Tim returned for an “Enz With A Bang” tour, an Australasian outing that once again missed the UK, Europe, and North America – Tim sings his first solo hit, “Fraction Too Much Friction” as part of the long set list and over and out it was. The live album taken from the tour is fantastic.

Split Enz Vol_III Big CanoeAs fair readers will know, to round out the period from 1977-1987, Tim released his second solo album, the masterwork Big Canoe in 1986 and Neil released the first Crowded House album also in 1986. It’s important to state here clearly that Tim’s Big Canoe is a critically overlooked work —  it’s at once accessible, complex, multi-layered music that has to be heard on a proper stereo, hopefully with a small bit of dance floor, waiting near by.

 

The rest is history, including reunions, Tim joining the House for Woodface (1991) and the Finn brothers very special first album together and alone, Finn (1995).

Split Enz Vol_III Band Photo 2

So many of my friends who were drunk on the elixir of “prog rock” did not “get” Split Enz, while I frankly and gladly left them in the dust listening as they did to 80s era Yes/Genesis. What a loss for them! How an album like Time and Tide could only make it to 58 on the U.S. Billboard charts and penultimate album Conflicting Emotions lagging at 137 shows just how clueless we were in the states as to this legendary band. I blame, in part, Mushroom records, and the unfair fate of so many of our greatest artists. Nonetheless these men went on to great success and all is well in our very very small world (it’s not a very big house for a large family!).

Fair readers, this is seriously awesome music you need to hear – again as fresh today as the day it was released. I was privileged to see the band, in the gym of Cal Poly, San Luis Obispo – for the Waiata tour — an amazingly fun, artful show that sold me forever on this important, influential band. Check it out, along with Tim’s and Neil’s post 1984 work, along with the rest of the individual band members, who together and apart continued to labor in relative obscurity.

 

6 thoughts on “The Beginning and the Enz of an Era Part III, the End of the Enz”

  1. I really like Time and Tide, but I’ve always thought Conflicting Emotions has pretty weak Tim stuff – he was obviously distracted by his solo career at this point.

  2. Always a great surprise when anyone mentions The Enz. But your detailed retrospective was very enjoyable to read.
    I have that Video LP VHS tape on my shelf. I play it every couple of years to remind me of the show I attended on that tour in San Diego.
    Thanks!

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