Tag Archives: Armando Gallo

Rockin’ the City of Angels – How?

Click here to buy Rockin’ the City of Angels, the new book now available at Amazon.com

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This is the third in a three-part piece about my new book Rockin’ the City of Angels, and I want to answer the question – how did all this come about, for a guy that worked in the tech industry for so many years, and became a writer so late in life?

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Doug & Steve Hackett

In earlier posts, I established that I am a die-hard fan of classic and progressive rock from the 1970s and beyond. I saw almost every one of the 36 artists in the book in Los Angeles (the City of Angels) in the 1970s. But my first written piece on a rock concert was inspired by seeing Rick Wakeman live in London in 2009 with orchestra, choir, and Brian Blessed telling the stories of the six wives of Henry the VIIIth:
https://diegospadeproductions.com/2009/05/16/six-wives-live-live/

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Doug more recently in 2016 with Rick Wakeman and band

From this meager beginning my friend Jeff Melton, a writer for Expose magazine, helped me get the article accepted and into print. On that basis, I contacted several zines, determined to write about these concerts as they came along, and maybe about new and legacy record releases. Jonathan Downes at Gonzo Multimedia liked what he saw and picked me up as staff writer for his magazine: http://www.gonzoweekly.com

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Doug’s Review of Phil Collins’ Bio

After years writing for Gonzo, and also contributing to SomethingElse! I put a pause on my tech career and started the process of writing the book that is about to be shipped. It was a long two year process of incorporating to become a self publisher, locating photos, completing the manuscript, getting editors (Mike Edison, Courtney Lee Adams), a musicologist (Tim Smolko), and a designer (Tilman Reitzle) and others to take the journey with me.

One of the best aspects of the effort was the nearly two years I spent looking for photographs and memorabilia to illuminate the manuscript. I searched through thousands of slides in the basement of a photo agency in London, housed in the same building that was a workhouse, which inspired Charles Dickens’ portrayal of David Copperfield. I trolled websites figuring out how to find photographers from the day, Neal Preston, Richard E. Aaron, Neil Zlowzower, Lisa Tanner, some purely by accident, some who had photos already placed inside album sleeves and music magazines, others carried by agencies like Getty and Rex Features.

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Neal Preston

I will never forget the 2 hours Neal Preston spent with me on the phone talking about his experiences in the day following Led Zeppelin, The Who, and so many classic bands around the country as part of their posse and at times with best friend Cameron Crowe. He had never met me, but nonetheless was generous and enthusiastic on the phone. Also, I was lucky to find and connect with Italian photojournalist Armando Gallo, someone whose work I revere back to the days when his shots

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Armando Gallo

were the only way to see what Peter Gabriel-era Genesis was all about. I never expected the chance to visit both of these artists at their home studios, working together to pick out slides for this book, so many of which are theirs. 

Working with the fine purveyors of rare rock photography at the San Francisco Art Exchange, I was able to connect with many photographers, and one of their special clients Roger Dean, the artist who painted so many Yes album covers among many other achievements. Through this connection, it came to pass that Roger invited my wife and I over to his studios in Essex England while we were in London on vacation. Visiting this studio and meeting Roger and his brother Martyn (who worked with me to select his shots of Yes on tour in 1976) is now a cherished memory.

Doug at Roger Dean's Studio
Doug with Roger Dean

To top that off, I was able to work directly with musical heroes of mine from Ambrosia and Happy The Man to unearth ’70s photographs from their private collections. This we did, and I was also able to interview band members and document their fantastic stories. For Ambrosia, we focused on their classic Somewhere I Never Travelled, https://diegospadeproductions.com/2016/01/28/ambrosias-early-travels/

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and for Happy the Man, their famous Arista releases, the self titled debut, and the followup Crafty Hands https://diegospadeproductions.com/2016/04/02/happy-the-man/

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Another somewhat tougher climb, the five-month, seven-person introduction effort it took to find one photo of Camel in concert on the night they recorded The Snow Goose live with the London Symphony Orchestra. Oh, elusive photo….

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I could go on, but should stop here. It’s been a terrific ride, and here’s hoping that everyone who comes across this book sees the devotion that went into it, and loves what they see and read… Doug

Genesis – Like What You Know

Gallo App LogoFans of the band Genesis have something to be excited about this year, and it’s not the band’s official “R-Kive” box set and flawed documentary! Author and photographer Armando Gallo just released an iPad app titled Genesis – I Know What I Like that brings to life his landmark 1980 publication of the same name. Gallo and his team have fashioned a beautiful alternative to the long out of print book that presents revised text, dozens of interviews, rare audio recordings, film clips and beautiful photos of the group on stage and off. It’s loaded with features and represents a definitive account of this progressive rock band and their early years. This app comes highly recommended to all fans of Genesis and those interested in rock journalism.

Gallo BooksGallo’s original book was Genesis: The Evolution of a Rock Band published by Sidgwick and Jackson in the UK in 1978. This was expanded and improved with the release of I Know What I Like, by DIY Books, Inc. (1980), which added to the timeline, and contained the definitive account of Genesis up to that year. The book captured their history, recordings, astrological charts (!) and most importantly their stunning live performances, following the story from their inception through the 1970’s. Armando was the perfect biographer for the band as he had collected more than a hundred hours of interviews with the musicians, their families, friends, and collaborators, pairing this with his own exceptional photography.

The Iconic Photo: Gabriel performing "The Musical Box"
The Iconic Photo: Gabriel performing “The Musical Box”

Because Genesis was such a theatrical, visually stunning band in concert, the real treat of these books were the photos. The DIY release came on better paper stock, and contained perfectly rendered full color shots of the band together and apart. For more than two decades, prior to the emergence of internet fan groups, besides a couple of very low quality films from 1973 and 1976 these books were the only way to access quality imagery of the band in concert. Those of us who loved the group, and particularly those who missed the early years relished these images. The photos featured Peter Gabriel’s increasingly elaborate costumes and set pieces, from the fox head mask (with wife Jill’s red dress) to the old man of “The Musical Box”, the Apocalypse from “Supper’s Ready”, “Watcher of the Skies” and finally Gabriel as Rael from The Lamb Lies Down on Broadway. Gallo LambThese were followed by gorgeous shots of the band as fronted by Phil Collins, after Peter’s departure, from the Trick of the Tail through And Then There Were Three albums and tours. This included perfectly composed shots showing guitarist Steve Hackett, bass/rhythm guitarist Michael Rutherford, and keyboard genius Tony Banks along with all of the fantastic staging and lighting from the shows. The book also covered the early solo careers of each band member, ending with a hopeful quote from Gabriel about what became an abandoned project to turn The Lamb… into a movie.

Gallo IntroGallo’s iPad app transforms this two-dimensional print experience into a new interactive journey. Using a software platform originally designed to create children’s books, the story is brought to life by including recordings of some of those actual interviews, short video clips, and additional color photos. Genesis songs play in the background. Anthony Phillips, Steve Hackett and Daryl Struemer supplied original songs and more than a dozen musicians from all over the world supplied original music. These musicians are fans from Australia, South America and Europe, who were inspired by Genesis to go professional. Visually, there is a most impressive ability to manipulate photos as they appear on the page. Readers can grab shots, move them across the window, resize and return them to the margins. Some free features included in the app are the ability to “pose” with members of the band for new snapshots, and grab and use prints as wallpaper. A modestly priced in-app purchase unlocks the entire book and many additional features, including a “lightbox” of Gallo’s slides. These are some of the most entertaining features of the app and are well worth the fee – go for it!

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The Lightbox – Use Viewer to Zoom In
Gallo Gabriel
Tab through additional photos
Grab and resize photos
Grab and resize photos
Trick of the Tail Tour
Trick of the Tail Tour

Armando himself introduces the app with a bit of background, ending with the heartfelt coda, “I hope that this app will push the legacy of Genesis music into the future for a new generation to love and discover…welcome to the wonderful world of Genesis”. Download the app, unlock the entire book and extra features and experience that world with Armando Gallo…you will like what you know!

Gallo Credits