Tag Archives: beck

Beck on Point

Beck Colors Album CoverWe’ve seen indie artist Beck several times over the last couple decades and the shows have been a bit uneven; usually presenting a mixed bag of songs that emphasize whatever is most top of mind for this diverse artist, and often with Beck himself seeming a bit disconnected from the proceedings. Not so on this fantastic night July 14th2019 at the Shoreline Amphitheater in Mountain View, California. Beck was in absolute top form, commanding attention as “front man” and master of ceremonies. Beck sang, played his guitars, and danced – yes danced, skillfully and infectiously for the rapturous crowd.

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The core of the set on this night put emphasis on Beck’s upbeat, groovy tunes, including “Girl,” “Mixed Bizness” and “Up All Night.” The latter was one of three songs plucked from 2017’s Colors, a very up-tempo record for Beck, often calling to mind 70s disco music, and it set the celebratory tone for the whole show. A glance through the set list, with albums and dates credited, shows a balanced pick of tracks from “Loser” 1993 to the new single from this year, “Saw Lightning.”  With just this one new song to promote (the next album Hyperspaceis not yet released) this show, though a bit short at 75 minutes, ended up as a sort of mini greatest hits compilation, with 14 of his own songs, and a handful of covers, ranging from the touching The Korgis cover “Everybody’s Got to Learn Sometime” to the Rolling Stones “Miss You,” and Chic’s disco hit “Good Times.” Several of the covers fell at the end of the set; just after Cage The Elephant’s lead singer Matt Schultz joined Beck on stage for their collaboration “Night Running.” Having not been wowed by Cage’s set, or Schultz, these fans found solace in the fact that Beck absolutely nailed just over a dozen of his greatest songs.

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The production was stellar. It included rear projections, and a dazzling, colorful light show, which made ample use of geometric shapes, lasers and rich vibrant tones. One of the clever rear projections included live shots of the musicians from directly above their heads, projected just behind each, and was artfully done. Sound was fantastic – balanced, not over loaded with bass as can happen with this era of music.

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The bands Cage the Elephant, Spoon, and Starcrawler opened for Beck. For these fans, only Spoon was of interest, and they delivered, squinting in the hot sun through a short set that emphasized lead singer/guitarist Britt Daniel’s vocal prowess and riff-driven songs, following a release this year of their greatest hits.

Beck began his career with a long search for something that would set him on a proper course, and lift him from a poverty with which he had learned to cope, playing folk songs on the street for cash. It was clear on this night that Beck is still on that restless journey, one that he has paused along the way, to pay particular attention to various forms of rock, folk, pop and even disco music. We felt lucky to be part of this very upbeat detour, part of the “good times!”

Beck Echo

p.s. it’s worth noting that Beck also recently appeared in a very good documentary film, Echo in the Canyon, which featured Jakob Dylan leading a cast of guest musicians through the L.A. Laurel Canyon songbook from the mid sixties when bands like The Byrds, Buffalo Springfield, the Mama’s and the Poppas, The Beach Boys, and CSN brought folk rock to the masses. Beck performs on several songs in a tribute concert that includes Dylan as bandleader, joined by Fiona Apple, Cat Power, Nora Jones and others. It’s a heartfelt tribute to these bands, and an excellent film in general for any fan of rock and folk music.