Tag Archives: Capital Cities

Ra Ra Riot and… Tim Finn?

RaRaRiot_Independent_72dpiMy friend Tim from Seattle recommended Ra Ra Riot to me a couple of years ago. He’s one of those guys like me who still make mix tapes (okay, CDs now, soon to be Spotify lists?). We do this each year to introduce friends to our favorite music, to recommend new or old bands, and their albums or singles. Ra Ra Riot, a danceable type of “indie rock with strings” outfit hails from Syracuse, New York. They struck me immediately as an infectious upbeat act featuring talented musicians, electric and acoustic instruments and vocalist, multi-instrumentalist Wes Miles. This remarkable singer is able to hit soaring soulful notes in a high tenor register, and has a beautiful falsetto technique, clear and strong. The musicians joining him include Mathieu Santos (bass), Milo Bonacci (guitar), Rebecca Zeller (violin) and Kenny Bernard (drums).They have been together for ten years, and just released their fourth album, Need Your Light. Take a listen to opening track “Water” to catch their sound. Then try the older track Tim included on the CD mix, “Boy” from their 2011 album The Orchard. It’s definitely more like the band Capital Cities than The National!

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In concert at the Independent theater, in San Francisco, March 27, 2016, the band was in top form, clearly healthy, joyous and well rehearsed. The set list included most of the songs from the new album, and they sounded terrific live, remarkably close to the studio RaRaRiot_NeedYourLight_72dpirecordings, but with that extra presence and pumped up energy live performance can bring. On stage, a guest cello player filled in for departed member Alexandra Lawn, adding heft to the strings led by multi-instrumentalist Zeller. And, yes they played “Boy” to enthusiastic dancing and applause.

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Standing there listening to the band, I was thinking about how few indie rock and recent alt rock bands have this kind of cheerful sound. Been listening to a lot of Radiohead, Muse, The National, and others who are really moodier and darker. It had me thinking about the 1980s music scene, and the dark and light ends of the spectrum, represented most notably by the likes of The Smiths (dark), and Bow Wow Wow (light). Given Wes Miles’ voice, I was reminded most of the band Split Enz and the solo work of their founder, Tim Finn.

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RaRaRiot_SplitEnz_ConflictingCover_72dpiNew Zealand band Split Enz began very differently than it ended. They started out in 1972, featuring Phil Judd and Tim Finn as leaders of an art rock, vaudeville act, adorned in outrageous costumes and matching stage antics. Once brother Neil Finn joined in 1980, they transformed their music to focus more on a rock, pop and new wave sound. The two Finn’s and their band created some of the most adventurous music of that era, producing four fabulous albums True Colors (1980), Waiata / Corroboree (1981), Time and Tide (1982), and their masterpiece Conflicting Emotions (1983) at which point Tim left the band to start a solo career. For those down under, and for fans like me, the two brothers together were like Lennon/McCartney, such were their compositions, and the contrast in their perfectly paired voices. Neil led the group to produce one final album, appropriately titled See Ya ‘Round (1984) then going on to form the popular band Crowded House. Neil is certainly one of the greatest singer/songwriters on the planet. But for now, let’s focus on Tim who came so strongly to my mind during the Ra Ra Riot show.

TimFinn_EscapadeCover_72dpiTim Finn’s compositions and lead vocals on Conflicting Emotions and his first album Escapade (1983) are soulful and inspirational. His soaring tenor voice is one of the most dazzling instruments in the business. That first solo album, which is very light, breezy compared to his other work, was followed by the more assertive, instrumentally varied albums Big Canoe (1986, my favorite), and self-titled Tim Finn (1989) for which he hired nearly all of Peter Gabriel’s early 80s band (did you not know that, I bet not!)  Best to take a listen to the title track from Conflicting Emotions (if you don’t like the mysterious intro, meant to invoke emotional confusion, skip to minute 1:30), or the song “In A Minor Key“ or “I Only Want to Know” from Escapade. Fantastic.

 

Last time I saw Tim Finn live was also at The Independent. It was an amazing show from start to finish. This enduring talent continues to record and perform today. The Ra Ra Riot concert at the same venue ten years later, was similarly inspirational and I will be following them going forward, starting at this summer’s Outside Lands festival, where they will be on the bill with Radiohead, LCD Soundsystem, and Air among many others. Highly recommended.

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Lucky 13 – Best Concerts of 2013

IMG_07382013 has been quite a year for live music.  We made it to over thirty shows including a few festivals – Coachella in Palm Desert, Outside Lands, and Not So Silent Night in San Francisco.  I had the chance to travel to Britain twice – once for the Stone Roses followed by two Rick Wakeman shows, and later this fall for a long weekend of gigs including Steve Hackett, Brian Ferry, Peter Gabriel and Camel – what a amazing time that was!  The day after Steve’s show we met Peter briefly at the train station in Manchester before the last night of his “Back to Front” tour.  I told him we had been to see an old friend of his and that tears were shed during “Dancing a With The Moonlit Knight.”  He seemed pleased 🙂

There were a couple of bands we missed – I know if we had been able to see Steve Wilson, Ozric Tentacles or Atoms For Peace they would have made the list – having said that here are the top 13 shows we did attend, in order of rating:

1. Camel, the Barbican Theater, London – speaking of tears being shed, they flowed for Andrew and company at this amazing display of talent so long absent from the stage.  “The Snow Goose” was wonderfully recreated along with a second set of classic Camel tunes.  To be in London in an auditorium of adoring fans, cheering long for this oft forgotten band was an amazing experience.

2. Steve Hackett‘s Genesis revisited tour, Royal Albert Hall, London – Just attending a show at the RAH was one thing, but to have it be Steve playing all early Genesis tracks, and including “Return of the Giant Hogweed” and the aforementioned Dancing was heaven.  Ray Wilson joining to sing two of the tracks was priceless.  The show was really a dream came true for this one, being raised on Genesis and loving it all.  Looking forward to seeing them again on Cruise to the Edge in 2014.

3. Rick Wakeman, family show, Gloucester – I flew over from California with my son to this show and the next night’s stop in Cheltenham.  Have to put this one at the top of the list, as Rick played alongside three of his children, now all grown, as they each performed a couple of tracks, told stories, and even explained Jemma’s bedtime routine to the song of the same name from Family Album.  An afternoon I hope never to forget!

4. Goblin, The Warfield Theater, San Francisco – their first time in the states will hopefully not be their last – a tight set of horror movie soundtrack gems, with backing film clips and a dancer, especially appropriate during “Suspiria.”  This along with a handful of their progressive rock compositions made for a great night with the Italian prog pioneers.

5. Peter Gabriel, Back to Front Tour, Manchester – a great set that began with highlights from Peter’s catalog, followed by the entire So album in proper sequence, with two encores.  It was hard not to miss the darker period just before So, particularly after rousing versions of “The Family and the Fishing Net” and “No Self Control” from his prior two releases.  But all in all, amazing musicianship and exciting delivery recalling the original tour and mid point of Peter’s remarkable career.

6. The Stone Roses, Coachella, Palm Desert – somehow I missed this band on their first time out in 1989.  This year I found their guitarist John Squire, vocalist Ian Brown and the rest of the guys to be a very pleasant surprise – their psychedelic sound revival finding its way back to the stage at what seems like just the right time.  Had the chance to see them again in London a few weeks later with all of us – seemingly everyone in the crowd – singing at the top of our lungs.  Music as the catalyst for love and devotion!

7. Black Sabbath, Shoreline, California – if you suggested in 2012 that these founders of heavy metal would make my top list this year I would have scoffed and made some crack about Satan and bats – but after releasing a stellar album 13 and clearly back in form, we found ourselves head banging joyfully to the actually somewhat proggy sound of these survivors.  Am so glad to have seen and heard Tony live showing his riffs along with most of this band still intact.

8. Depeche Mode, Shoreline, California – These purveyors of doom and redemption sound as great as ever live and master writer Martin Gore may be in his finest voice – I find the drama in their sound goes straight to the soul.  The Beatles of the ’80’s to these ears, with another couple decades of great work after that founding era.

9. The National, Outside Lands, San Francisco – this band delivered an awesome set of their moody fitful music, reminding me at times of Morrissey/Marr with less humor.  When joined for a few tracks by guests The Kronos Quartet, the combination of this tight outfit with metered drums, horns, and strings brought some of their woeful best to transcendent conclusions.

10. Simple Minds, Orpheum Theater, Los Angeles – on their Greatest Hits+ live tour, Simple Minds finally returned to the states after a 10 year hiatus.  Not as rewarding as the 5×5 show we went to see at London’s Roundhouse, but then we did not expect to be as excited about a hits retro above a show dedicated to their first 5 records, which had been spectacular.  This band continues to sound excellent – we are big fans of lead singer Jim Kerr’s vocals and writhe delivery.

11. Heart with Jason Bonham, America’s Cup Pavilion, San Francisco – Ann and Nancy Wilson of Heart still rock n’ roll, proving it this year in a double bill with Jason Bonham’s band opening, followed by his return for encore with Heart performing a handful of Zeppelin classics, including a smoking rendition of “Kashmir”, and a beautiful “Rain Song”.  Heart’s best move – pulling off the classic “Mistrel Wind” from Dog & The Butterfly and building to it’s own Zep-like coda – show stopping excellence.

12. Alison Moyet, The Fillmore, San Francisco – Alison is back to electronica, with a great new album, looking fit and sounding as amazing as ever delivering her warm smoky vocals atop those cold synths.  One of only three nights in the states, we felt lucky to be there for the show.

13. Muse, Oracle Arena, Oakland – as they’ve grown during the last dozen years, Muse has become for me increasingly more interesting, particularly live.  An incredible amount of energy flows from the stage as they expertly build anthemic rock tomes to shattering crescendos of sound.  Maybe a notch below the last time around, but a great concert to start off the year.

Honorable mention goes to: The Specials, The Warfield Theater, San Francisco – just had to mention – it’s been a dream of mine to see Terry Hall live, scowling through anything he’s been part of whether it’s The Specials, Fun Boy Three, Colour Field or solo.  To me one of the greatest and most underrated British vocalists alive today.

That’s a wrap.  Thanks also go out to Yes, Ian Anderson, Eels, Bryan Ferry, Fiona Apple, Sea Wolf, Pink, Bad Company, Fleetwood Mac, The Postal Service, Hall and Oates, Pearl Jam, Van Morrison, Capital Cities, and Paul McCartney for making it a great year in music.  Looking at the list, I vow to make it to more new bands this year!