Tag Archives: goblin

Lucky 13 – Best Concerts of 2013

IMG_07382013 has been quite a year for live music.  We made it to over thirty shows including a few festivals – Coachella in Palm Desert, Outside Lands, and Not So Silent Night in San Francisco.  I had the chance to travel to Britain twice – once for the Stone Roses followed by two Rick Wakeman shows, and later this fall for a long weekend of gigs including Steve Hackett, Brian Ferry, Peter Gabriel and Camel – what a amazing time that was!  The day after Steve’s show we met Peter briefly at the train station in Manchester before the last night of his “Back to Front” tour.  I told him we had been to see an old friend of his and that tears were shed during “Dancing a With The Moonlit Knight.”  He seemed pleased 🙂

There were a couple of bands we missed – I know if we had been able to see Steve Wilson, Ozric Tentacles or Atoms For Peace they would have made the list – having said that here are the top 13 shows we did attend, in order of rating:

1. Camel, the Barbican Theater, London – speaking of tears being shed, they flowed for Andrew and company at this amazing display of talent so long absent from the stage.  “The Snow Goose” was wonderfully recreated along with a second set of classic Camel tunes.  To be in London in an auditorium of adoring fans, cheering long for this oft forgotten band was an amazing experience.

2. Steve Hackett‘s Genesis revisited tour, Royal Albert Hall, London – Just attending a show at the RAH was one thing, but to have it be Steve playing all early Genesis tracks, and including “Return of the Giant Hogweed” and the aforementioned Dancing was heaven.  Ray Wilson joining to sing two of the tracks was priceless.  The show was really a dream came true for this one, being raised on Genesis and loving it all.  Looking forward to seeing them again on Cruise to the Edge in 2014.

3. Rick Wakeman, family show, Gloucester – I flew over from California with my son to this show and the next night’s stop in Cheltenham.  Have to put this one at the top of the list, as Rick played alongside three of his children, now all grown, as they each performed a couple of tracks, told stories, and even explained Jemma’s bedtime routine to the song of the same name from Family Album.  An afternoon I hope never to forget!

4. Goblin, The Warfield Theater, San Francisco – their first time in the states will hopefully not be their last – a tight set of horror movie soundtrack gems, with backing film clips and a dancer, especially appropriate during “Suspiria.”  This along with a handful of their progressive rock compositions made for a great night with the Italian prog pioneers.

5. Peter Gabriel, Back to Front Tour, Manchester – a great set that began with highlights from Peter’s catalog, followed by the entire So album in proper sequence, with two encores.  It was hard not to miss the darker period just before So, particularly after rousing versions of “The Family and the Fishing Net” and “No Self Control” from his prior two releases.  But all in all, amazing musicianship and exciting delivery recalling the original tour and mid point of Peter’s remarkable career.

6. The Stone Roses, Coachella, Palm Desert – somehow I missed this band on their first time out in 1989.  This year I found their guitarist John Squire, vocalist Ian Brown and the rest of the guys to be a very pleasant surprise – their psychedelic sound revival finding its way back to the stage at what seems like just the right time.  Had the chance to see them again in London a few weeks later with all of us – seemingly everyone in the crowd – singing at the top of our lungs.  Music as the catalyst for love and devotion!

7. Black Sabbath, Shoreline, California – if you suggested in 2012 that these founders of heavy metal would make my top list this year I would have scoffed and made some crack about Satan and bats – but after releasing a stellar album 13 and clearly back in form, we found ourselves head banging joyfully to the actually somewhat proggy sound of these survivors.  Am so glad to have seen and heard Tony live showing his riffs along with most of this band still intact.

8. Depeche Mode, Shoreline, California – These purveyors of doom and redemption sound as great as ever live and master writer Martin Gore may be in his finest voice – I find the drama in their sound goes straight to the soul.  The Beatles of the ’80’s to these ears, with another couple decades of great work after that founding era.

9. The National, Outside Lands, San Francisco – this band delivered an awesome set of their moody fitful music, reminding me at times of Morrissey/Marr with less humor.  When joined for a few tracks by guests The Kronos Quartet, the combination of this tight outfit with metered drums, horns, and strings brought some of their woeful best to transcendent conclusions.

10. Simple Minds, Orpheum Theater, Los Angeles – on their Greatest Hits+ live tour, Simple Minds finally returned to the states after a 10 year hiatus.  Not as rewarding as the 5×5 show we went to see at London’s Roundhouse, but then we did not expect to be as excited about a hits retro above a show dedicated to their first 5 records, which had been spectacular.  This band continues to sound excellent – we are big fans of lead singer Jim Kerr’s vocals and writhe delivery.

11. Heart with Jason Bonham, America’s Cup Pavilion, San Francisco – Ann and Nancy Wilson of Heart still rock n’ roll, proving it this year in a double bill with Jason Bonham’s band opening, followed by his return for encore with Heart performing a handful of Zeppelin classics, including a smoking rendition of “Kashmir”, and a beautiful “Rain Song”.  Heart’s best move – pulling off the classic “Mistrel Wind” from Dog & The Butterfly and building to it’s own Zep-like coda – show stopping excellence.

12. Alison Moyet, The Fillmore, San Francisco – Alison is back to electronica, with a great new album, looking fit and sounding as amazing as ever delivering her warm smoky vocals atop those cold synths.  One of only three nights in the states, we felt lucky to be there for the show.

13. Muse, Oracle Arena, Oakland – as they’ve grown during the last dozen years, Muse has become for me increasingly more interesting, particularly live.  An incredible amount of energy flows from the stage as they expertly build anthemic rock tomes to shattering crescendos of sound.  Maybe a notch below the last time around, but a great concert to start off the year.

Honorable mention goes to: The Specials, The Warfield Theater, San Francisco – just had to mention – it’s been a dream of mine to see Terry Hall live, scowling through anything he’s been part of whether it’s The Specials, Fun Boy Three, Colour Field or solo.  To me one of the greatest and most underrated British vocalists alive today.

That’s a wrap.  Thanks also go out to Yes, Ian Anderson, Eels, Bryan Ferry, Fiona Apple, Sea Wolf, Pink, Bad Company, Fleetwood Mac, The Postal Service, Hall and Oates, Pearl Jam, Van Morrison, Capital Cities, and Paul McCartney for making it a great year in music.  Looking at the list, I vow to make it to more new bands this year!

Goblin Haunts

I’ve always been a junky for the exploitation cinema of my youth – the b-movies peddled from the 1960’s through the 80’s as double features, which included any number of horror, science fiction, martial arts, biker, and other films of the era.  Of these, many were international movies, from France, Germany, and in particular “giallo” works from Italy.  I saw every Mario Bava giallo film before being old enough to realize what a genius he was, instead just reveling in the colored lighting, unique cinematography, and parade of troubled killers.

OLYMPUS DIGITAL CAMERAIn 1977 one of my best friends moved from our neighborhood in southern California to Philadelphia, and it was during our trip out there we ducked into a trashed downtown theater of the “grind house” variety to see the latest Italian import, “Suspiria.”  As the movie began with the sound of bells, bouzouki, and demonic voice chanting “la, la, la, la, la, la, la…..la, la, la, la, la, la……witch!” I knew this was no low budget import, but something more accomplished and frightening, driven by the bizarre prog-horror-rock music of Goblin.  We were very well scared by this movie, and it’s become a favorite – I’ve kept upgraded versions in my collection ever since this first viewing in that creepy run down theater.  After this film, and 1978’s “Dawn of the Dead (Zombi),” more of the soundtracks produced by Goblin came to my attention, along with their first two releases – 1975’s “Profondo Rosso” and their progressive rock debut – 1976’s “Roller.”  I also purchased their strange and challenging progressive rock release “Il Fantastico Viaggio Del Bagarozzo Mark” from 1978, which includes vocals in Italian.

OLYMPUS DIGITAL CAMERASo it was with great anticipation I attended the first tour put on in the United States by the remaining members of Goblin this October at the Warfield theater in San Francisco.  The show paid off on expectations, though parts were rather repetitive, interest was sustained as the 5 piece band was augmented by clips from the horror films that inspired so much of their music, in addition to a lovely dancer who graced the stage during several key sequences.  Standout tracks included “Mad Puppet” from Profondo Rosso, “Goblin” from Roller, Suspiria, and Tenebre – a rare example of vocalization, even if via “vocoder.”  The band including original members Claudio Simonetti (keyboards) and Massimo Morante (guitars) along with additional musicians, were all very adept at recreating the sinister, haunting sound of the original soundtracks, in addition to a selection of their excellent progressive rock works.  It was clear the band was as excited to be playing in San Francisco, as we were to be seeing them here.  After 36 years, quite a wait, let’s hope they rise again.