Tag Archives: jakko jakszyk

King Crimson… Give em a Kiss?

The progressive rock juggernaut King Crimson brought their seven-man supersonic machine to the Fox Theater in Oakland, California September 5th and 6th 2019 for two highly anticipated concerts.  These were epic shows for anyone seeking a potent, diverse mix of prog, metal, jazz, and classical rock – at times structured, at times improvisational – but all bundled into a challenging mix delivered by this band of expert musicians. This latest tour stop was particularly compelling as we found the band focusing on its most mellow, romantic songs. Tears were shed, arms were raised to the ceiling. It was the best setlist I’ve ever seen the band deliver, and the best performance as well.

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The current Crimson lineup is a ensemble consisting of Robert Fripp (guitar, keys), Jakko Jakszyk (guitars/vocals), Tony Levin (bass), Mel Collins (saxophones/flutes), and up front, three drummers Pat Mastelotto, Gavin Harrison and Jeremy Stacey. Before the series of concert tours Crimson has been staging for the last few years, the various collectives of the band have not played much of their early material, other than “21st Century Schizoid Man” and the title tracks to Red and Lark’s Tongues in Aspic. Therefore for instance most of the early songs from In The Court of the Crimson King (1969), Lizard (1970), and Islands (1971) have not seen the bright lights of a concert hall in decades.  The setlist for the shows over the last few years have been spectacular.

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The choices were inspired and balanced – instrumentals and vocals well represented.  On top of that, the band was able to reproduce and reinterpret these pieces with ferocity balanced with delicacy and precision.  In particular, the title track from Islands, the title track from In The Court of the Crimson King and the additional choice to include  “Moonchild” leading into “Epitaph” was awesome to behold live.  “Epitaph” is as relevant today as it was in 1969 when written:

Between the iron gates of fate
The seeds of time were sown

And watered by the deeds of those
Who know and who are known;
Knowledge is a deadly friend
If no one sets the rules
The fate of all mankind I see
Is in the hands of fools

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For this fan, the major moment of the show came when the band played “Cirkus including the Entry of the Chameleons” from Lizard.  Jakko’s vocals were clear and warm, yet with power during the stanzas when that was needed. Mel Collins included the crunchy bass sax, a flute solo (one of many that night) and various other wind interludes. Part time middle drummer Jeremy Stacey spent much of his time on keyboards, which made for a much richer sonic landscape than I’ve ever heard.  Tony Levin held every down with his fantastic skill on the Chapman Stick.

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Fripp’s compositions alternate suddenly between dark and light.  A typical track will contain segments of distorted, dissonant but rhythmic sound creating almost unbearable tension and finally resolve to a peaceful passage made up of quiet beautiful tones.  The black notes vs. the white – the sun and moon, the Larks’ tongue and the Aspic – all part of this yin and yang.  Both were on full display for these two shows. However, this time there was more of the melodic, softer, dare I say romantic version of King Crimson. Readers who know the tracks on the setlist above will see how many compositions selected for the first show are less allegro, more mellow and beautiful.

The front line of three drummers worked miracles with the material, and several times during the concert we were treated to a three-man drum solo where the skills of each were highlighted.  Robert, playing in the light finally, says in an interview video now a couple years old, “I’m in a different place in my life” and it continues to show in his playing and demeanor.  In fact, almost the entire concert was played under plain white lights – only during “Red” did the white lights slowly fade to red – a very effective bit of staging, at least for one song. The final tracks of the main set “Starless and “In the Court…” brought out intense emotions an this fan for one found it hard not to think of ex Crimson members now deceased, Greg Lake and John Wetton, while also absolutely loving every moment of Jakko’s well tuned vocals his fantastic skills as guitarist and his kind presence.

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The first of two nights was an overwhelmingly beautiful display of virtuosity – that fact alone is an amazing achievement for this groundbreaking 50-year-old musical collective.

The Set List:

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Live Photos © King Crimson – Live in Mexico

(no photos are allowed at King Crimson concerts until the bow)

King Crimson Experiment with The Elements

KC_SignageThe progressive rock juggernaut King Crimson brought their seven-man supersonic distortion machine to The Warfield theater in San Francisco on October 3rd and 4th for two highly anticipated concerts, dubbed “The Elements.” These were epic events for anyone seeking a potent, diverse mix of prog, metal, jazz, and classical rock – at times structured, at times improvisational – but all bundled into a challenging mix delivered by this band of expert musicians.

The current Crimson lineup is a ensemble consisting of Robert Fripp (guitar, keys), Jakko Jakszyk (guitars/vocals), Tony Levin (bass), Mel Collins saxophones/flutes), and up front, three drummers Pat Mastelotto, Gavin Harrison and Bill Rieflin. Many of the cast have tenure in the band, others like Harrison, Rieflin, and Jakszyk are new or recently added. Only Jakszyk with Collins and other members of early versions of Crimson paid respect to their initial albums during their tenure in the group 21st Century Schizoid Band – touring around the turn of the millennia. Most of the early work has not seen the bright lights of a concert hall in decades. The set list for these “Elements” shows was spectacular.

KC_AlbumsTo the astonishment and delight of long time fans, Fripp agreed to include older tracks in the set list, beyond the three most commonly played during concerts from 1981 through 2008 (“Larks 1&2”, and “Red”). In contrast, no tracks from the 1980’s version of the band were played. Instead, depending on the night’s set list, the band played three or four pieces that came after 1990, and one or two from the Jakszyk/Fripp/Collins project A Scarcity of Miracles (2011). The night belonged to the early music, which included:

  • 21st Century Schizoid Man – In the Court of the Crimson King (1969)
  • Pictures of a City – In the Wake of Poseidon (1970)
  • Sailor’s Tale, The Letters – Islands (1971)
  • Lark’s Tongues in Aspic, Part One & Two, The Talking Drum – Larks’ Tongues in Aspic (1973)
  • Red, One More Red Nightmare, Starless – Red (1974)

These choices were inspired and balanced – instrumentals and vocals well represented. On top of that, the band was able to reproduce and reinterpret these pieces with ferocity and precision. In particular, the two cuts from Islands were awesome to behold live. “The Letters” tells the story of a woman who comes to learn of her husband’s affair via post from his lover.  Upon receipt the woman reacts:

As if a leper’s face
That tainted letter graced
The wife with choke-stone throat
Ran to the day with tear-blind eyes

KC_Oct4_BowAt the moment Jakszyk sings the last of that line, sax, guitar, drums, and all came crashing in to make a cacophony that sounds like anger, despair, and pain all wrapped into a sonic boom. Once the next verse arrives the quiet renaissance refrain begins again. Played live, these dynamics from the original record were massively amplified. The moment sums up how one could describe so much of Crimson’s work. Fripp’s compositions alternate suddenly between dark and light. A typical track will contain segments of distorted, dissonant but rhythmic sound creating almost unbearable tension and finally resolve to a peaceful passage made up of quiet beautiful tones. The black notes vs. the white – the sun and moon, the Larks’ tongue and the Aspic – all part of this yin and yang. Both were on full display for these two shows.

Only the bows for photos!
Only the bows for photos!

The band looked energized and pleased to be delivering this material. Collins played aggressively and magnificently on winds – at times with him on the sax the band actually swings! Levin demonstrated his unparalleled capabilities on upright and electric basses and Chapman stick. Jakszyk sang beautifully on key, with controlled vibrato, and clear delivery – only “One More Red Nightmare” showing a bit of strain. The front line of three drummers worked miracles with the dense material, and before the final encore we were treated to a three-man drum solo where the skills of each were highlighted. Robert, playing in the light finally, says in an interview video, “I’m in a different place in my life” and it shows in his playing and demeanor. In fact, almost the entire concert was played under plain white lights – only during the final track of the main set, Starless, did the lights slowly change to red, echoing the emotions brought from the intense “one note” guitar solo that builds to that masterful track’s resolve.

KC_ticketBoth shows were challenging, rewarding, and exceptionally well presented – an impressive achievement for this groundbreaking 45-year-old musical collective. Take a quiet moment to hope for more than this first 22-date tour from these artists.

21st Century Crimson Glory

21stcenturyKing Crimson is reincarnate this year with Robert Fripp and Jakko Jakszyk leading the band, joined by winds wizard Mel Collins along with Tony Levin on bass and three drummers – Gavin Harrison, Pat Mastelotto, and Bill Rieflin.  This will represent a major event in progressive rock circles as Fripp and his Crimson vehicle have a rich history as pioneers and practitioners of the form.

Of particular note for this new lineup is the inclusion of Jakko Jakszyk up front.  Jakko led an alumnus group of former Crimson band members called 21st Century Schizoid Band in the early 2000’s.  He was joined by brothers Michael & Peter Giles, Ian McDonald, and Mel Collins each from early versions of the band. They were captured live in Japan via high quality video production aptly titled “21st Century Schizoid Band – Live in Japan” in 2002, available from Gonzo Multimedia.

For any fan of live concert video and the early work of King Crimson, this disc is a must have both for it’s content and expert production values.  The track list is rich with early Crimson gems, absent from the stage for so many years.  After the end of the 1970’s, Fripp primarily performed “Lark’s Tongue in Aspic part II”, and “Red,” from the 70’s period, both amazing instrumental classics, but representing a pretty limited span of the band’s rich history.  Occasionally another early track has been performed, but this release includes a wealth of material from their first four albums including four songs from their debut, In the Court of the Crimson King.  Other gems like “Catfood” from In the Wake of Posieden, “Formentera Lady” and “Ladies of the Road” from Islands, two from McDonald and Giles, and other solo work are included. Another early live release available on CD, Pictures of a City -Live in New York, includes tracks from Lizard, which had never been performed live.

21st century schizoid band 1Jakko’s vocal delivery in this live setting are perfectly suited to the variety of early material, particularly given the the number of vocalists represented during these early shifting lineups. The rest of the band is in great form each being themselves quality musicians.  The alumni association did not last more than a few years so this DVD of the show in Japan is an important and thoroughly enjoyable document.

Looking back now, this video offers an exciting preview of what could be possible with a new band fronted by Fripp & Jakszyk, joined by Mel Collins and the rest of the band. Fripp stated in a recent interview that there will not be new music this year but rather “reconfigured” older material.  Might they pay tribute to their earliest work with Jakko up front, or will Robert keep the nostalgia in check – either way, the new band will be welcomed in all it’s Crimson glory.