Tag Archives: neal preston

Neal Preston IS Exhilarating and Yes, just a bit Exhausted

The new book by Neal Preston, Exhilarated and Exhausted, is finally here, available at Amazon, and it is his masterpiece. At 336 pages from Reel Art Press, favoring rich black & white photography on white or black NP_Neal Preston -Exhilarated and Exhausted coverborder, the book is a stunning collection of Neal’s best work taken from the 1960’s through the present day. While the focus is on the classic rock bands on the 1970’s, a few shots from the 80’s and beyond are included (Red Hot Chili Peppers, Pearl Jam, Eddie Van Halen, Michael Jackson, Guns and Roses, and a few others). That means at least 200 shots from this famous photographer laid out among his stories in this highest quality hardbound keepsake.

What is really key about this collection are musings and recollections of Neal himself. There is absolutely no substitute for having the man who crouched into those pits in front of stages around the world tell his story in first person narrative, full of witty and wise anecdotes gleaned from a life on the road, a hard life, but one that in Neal’s case rewarded then and now, as evidenced by this exceptional book.

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I first met Neal over the phone about three years ago. I had purchased a print of his classic black and white shot of Led Zeppelin’s Robert Plant between songs on a giant outdoor stage. It’s the one where Robert holds a dove in his right hand, and a beer and cigarette in his left, peaceful smile on his face – you know the one – nearly every kid in high school had a similar (but not Neal’s shot) color printed poster on their wall. We framed it for my wife’s best friend and one of my closest as well. San Francisco Art Exchange passed on my digits, as I wanted to talk to Neal, and was also looking to license some shots for my own book. (by the way a bit of advice he gave me which I regrettably did not use? more B&W shots than color, Doug!)

I will never forget the phone ringing, and Neal on the other end saying something like “yeah, this is Neal, who are you? What is this idea about a book?” He proceeded to regale me honestly and without bluster as to his experiences, cramming in as many stories as he could in what ended up being a 2-hour call with some guy he never met (with numerous protestations that he “had to go, but just one more”). I felt truly lucky, knowing as I did then who Neal was, knowing already about his friendship with Cameron, as I devoured the “extras” on Crowe’s Almost Famous blue-ray release. So yeah, having that kind of time with someone also famous, who shared his passion and introspection without hesitation, was awesome. That’s what this book is, in print, forever.

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At the time of our second meeting, Neal was about to stage a gallery exhibit for the lighting design crowd in Las Vegas. He had done a rare show in Germany with several of the same prints on display, and they printed a book of sorts, with many of those photos. But, there was a paltry few paragraphs written by Neal himself. Too few, I told him directly.

Not so here. We learn that Neal and Cameron met at a Humble Pie show in 72. We learn that Cameron hired Neal as the photographer for his first piece in Rolling Stone, about the band Yes (where are those shots!!!). Then we get a master class from Neal about the art, seat and tears that go into being a professional photographer. Neal writes his many stories in melodious voice, drawing us into his circle, sharing asides that make us feel that we are in the pit or in the first row at least, right beside him, seeing through his eyes. I’ve tried to do this – it’s hard – really, really hard to write with that kind of immediacy and even urgency. Neal nails it here.

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Section titles such as humble musings on being lucky “The Greatest Job in the World,” “The Inner Sanctum,” (It’s a hot zone back there… think Chernobyl with guitars”), “Rock Tour Tension,” and “Bob Dylan Called Me A Leech” frame the stories. Each artist is given a page or more, and maybe some musings, and it’s all very much infectious. For example, when Neal shares his passion for all things Greg Allman, even if you are not a fan, you become one. One of my favorite bits is his advice for aspiring photographers: “I don’t care what kind of pictures you shoot or aspire to shoot…you’re gonna have highs and lows so you have to take the good with the bad.” See, he didn’t have to do that – he did not have to be generous in sharing what he knows and speaking to those of us who relate to what he does. But he does and it works – all of it. As we used to say, “go for it.” My highest recommendation.

 

Rockin’ the City of Angels – How?

Click here to buy Rockin’ the City of Angels, the new book now available at Amazon.com

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This is the third in a three-part piece about my new book Rockin’ the City of Angels, and I want to answer the question – how did all this come about, for a guy that worked in the tech industry for so many years, and became a writer so late in life?

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Doug & Steve Hackett

In earlier posts, I established that I am a die-hard fan of classic and progressive rock from the 1970s and beyond. I saw almost every one of the 36 artists in the book in Los Angeles (the City of Angels) in the 1970s. But my first written piece on a rock concert was inspired by seeing Rick Wakeman live in London in 2009 with orchestra, choir, and Brian Blessed telling the stories of the six wives of Henry the VIIIth:
https://diegospadeproductions.com/2009/05/16/six-wives-live-live/

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Doug more recently in 2016 with Rick Wakeman and band

From this meager beginning my friend Jeff Melton, a writer for Expose magazine, helped me get the article accepted and into print. On that basis, I contacted several zines, determined to write about these concerts as they came along, and maybe about new and legacy record releases. Jonathan Downes at Gonzo Multimedia liked what he saw and picked me up as staff writer for his magazine: http://www.gonzoweekly.com

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Doug’s Review of Phil Collins’ Bio

After years writing for Gonzo, and also contributing to SomethingElse! I put a pause on my tech career and started the process of writing the book that is about to be shipped. It was a long two year process of incorporating to become a self publisher, locating photos, completing the manuscript, getting editors (Mike Edison, Courtney Lee Adams), a musicologist (Tim Smolko), and a designer (Tilman Reitzle) and others to take the journey with me.

One of the best aspects of the effort was the nearly two years I spent looking for photographs and memorabilia to illuminate the manuscript. I searched through thousands of slides in the basement of a photo agency in London, housed in the same building that was a workhouse, which inspired Charles Dickens’ portrayal of David Copperfield. I trolled websites figuring out how to find photographers from the day, Neal Preston, Richard E. Aaron, Neil Zlowzower, Lisa Tanner, some purely by accident, some who had photos already placed inside album sleeves and music magazines, others carried by agencies like Getty and Rex Features.

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Neal Preston

I will never forget the 2 hours Neal Preston spent with me on the phone talking about his experiences in the day following Led Zeppelin, The Who, and so many classic bands around the country as part of their posse and at times with best friend Cameron Crowe. He had never met me, but nonetheless was generous and enthusiastic on the phone. Also, I was lucky to find and connect with Italian photojournalist Armando Gallo, someone whose work I revere back to the days when his shots

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Armando Gallo

were the only way to see what Peter Gabriel-era Genesis was all about. I never expected the chance to visit both of these artists at their home studios, working together to pick out slides for this book, so many of which are theirs. 

Working with the fine purveyors of rare rock photography at the San Francisco Art Exchange, I was able to connect with many photographers, and one of their special clients Roger Dean, the artist who painted so many Yes album covers among many other achievements. Through this connection, it came to pass that Roger invited my wife and I over to his studios in Essex England while we were in London on vacation. Visiting this studio and meeting Roger and his brother Martyn (who worked with me to select his shots of Yes on tour in 1976) is now a cherished memory.

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Doug with Roger Dean

To top that off, I was able to work directly with musical heroes of mine from Ambrosia and Happy The Man to unearth ’70s photographs from their private collections. This we did, and I was also able to interview band members and document their fantastic stories. For Ambrosia, we focused on their classic Somewhere I Never Travelled, https://diegospadeproductions.com/2016/01/28/ambrosias-early-travels/

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and for Happy the Man, their famous Arista releases, the self titled debut, and the followup Crafty Hands https://diegospadeproductions.com/2016/04/02/happy-the-man/

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Another somewhat tougher climb, the five-month, seven-person introduction effort it took to find one photo of Camel in concert on the night they recorded The Snow Goose live with the London Symphony Orchestra. Oh, elusive photo….

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I could go on, but should stop here. It’s been a terrific ride, and here’s hoping that everyone who comes across this book sees the devotion that went into it, and loves what they see and read… Doug

Rockin’ the City of Angels…Why?

Click here to buy Rockin’ the City of Angels, the new book now available at Amazon.com

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My first book, Rockin’ the City of Angels, is off the presses and at the warehouse. It will be shipping starting Tuesday, December 27!

Yesterday I was asked why I wrote the book…it’s worth a moment of reflection:

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Freddie Mercury of Queen, the stunning photo (c) Lisa Tanner

When I was a teenager (way way back in the 1970s), I was lucky to be able to attend dozens of rock concerts staged in Los Angeles, the City of Angels. Rock music had become increasingly relevant to my life, and I was drawn to complex works and the challenging, sometimes fantastical elements of the genre known as “progressive rock.” My collection of records and collection of concert cite stubs grew to include prog-rock bands like Genesis, Yes, Jethro Tull, King Crimson, Emerson, Lake & Palmer, and Pink Floyd, along with some of the more creative harder rocking contemporaries like Led Zeppelin, Fleetwood Mac, and Queen, as well as bands from North America like Kansas, Styx, and Heart. My youthful fascination grew into a lifelong passion for music in general, and for progressive or classical rock music in particular. My enthusiasm was stoked by seeing these bands live in concert, where increasingly elaborate theatrical productions dramatized the themes of many of these concept albums. These concerts were almost religion to my growing list of fellow concertgoers.

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Yes Relayer/Solos Tour

I wrote this book as homage to rock music of the ‘70s—in concert and on film. It tells the story of three-dozen key concert performances from this era; illuminating the genius of the best progressive and classical rock acts whose concerts I attended. I spent two years tracking down a selection of iconic photographs from those unforgettable events, taking me to agency basements, file drawers brimming with slides, to band member and photographers homes, to collections both organized, and out of control! In the process, I’ve been fortunate to meet many of the talented photojournalists of the era, including Neal Preston, Armando Gallo, Jorgen Angel, Neil Zlozower, Lisa Tanner, Jim Summaria, and many others. Many thanks go out to these artists, who captured these consummate rock musicians in their prime, frozen in time in arresting images.

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David Bowie; Station to Station Tour – One of my favorite photos in the book!

In addition, I’ve combed through more than 100 rock films from the decade, all part of my private collection. TV appearances, professionally filmed 35mm movies—even celluloid left in the can for years, sometimes decades after light hit the film—are finally getting
home video or streaming media release. I remember going to see many of these films that cooperalice_dvdcover_3x4_72dpifeatured Led Zeppelin, Yes, AC/DC, Alice Cooper, Paul McCartney and Wings at the local cinema, flicking lighters and hollering at the screen. Now, just about every major band of the era can be seen performing live in one format or another, thanks to the dedicated teams at Eagle Rock Entertainment, Warner Home Video, and others who are helping to keep their legacies alive and to introduce the power and majesty of this adventurous music to new generations.

Although some of these bands are still touring, their time is waning, and soon these films will be the only way to recapture their extraordinary live performances. I believe these films are important documents of rock music performance in our life times. Those of us who were there found more than just good times at these concerts. Those shows brought us together to share profound, even life-changing experiences that bonded us forever.

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Fleetwood Mac’s incomparable Stevie Nicks

That’s what led me to write this book, and work for months on end with my designer Tilman Reitzle to render these photos and my recollections into a stunning tome. Check it out…. as we would have said… it’s bitchin’