Tag Archives: peter bardens

Camel’s Treasured Encounter

camel2017_dvdii_27dpiCamel is one of the greatest 1970’s era progressive rock bands on record, sitting comfortably next to Yes, Genesis, Pink Floyd and other classics in the genre. Yet this amazing, enduring band garners less name recognition than their stature demands. Led by Andrew Latimer (guitar, flute, vocals, later keyboards) and initially with his partner, the late Peter Bardens (keyboards) joining Doug Ferguson (bass) and Andy Ward (drums), the band navigates rock and jazz motifs, prog / space rock, and English folk for the greater whole. Camel just released a concert DVD taken from a fantastic performance last year in Japan, thoughtfully titled ichigo ichie (Treasure every encounter, for it will never recur). The film as produced by Susan Hoover, filmed and Directed by David Minasian is exceptionally crafted. It captures a four-piece lineup delivering a set list of classics from their long catalog, highlighting one of their most popular original albums Moonmadness (1976). The staging and lighting is simple; the whole production is tightly focused on the band and their playing, with ample close ups of keys, frets and toms. It will be a treasure for long time fans and newcomers alike who want to see these musicians up close, in a crisp audio and video production.

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Camel is ripe for rediscovery by those who missed out on this band to date. For one thing, their work remains consistently enjoyable, less jagged than their more metal-oriented followers, more listenable. Much of Camel’s work is actually quite sunny – often heartwarming – while Latimer’s evocative guitar style might be compared to David Gilmore of Pink Floyd fame, there is less gloom in their work, more major than minor tonality. Part of this influence was Peter Bardens, whose keys and compositions graced the first six records from 1972’s self-titled debut Camel, through 1978’s Breathless.  He left the band and went on to success as a solo “new age” music artist before his untimely passing in 2002.  Other group members playing bass, keys, and drums have changed over multiple times, with the most persistent member being Colin Bass, an amazing bass player who also offers rich vocals to many tracks since 1979. Powerhouse drummer Denis Clement joined in 2000 and has punctuated albums and stage shows since. The most persistently rotating seat in the Camel lineup has been at the keyboards. After Bardens, a series of exceptionally strong keys men have played on albums and/or concert tours, among them Jan Schelhaas, Kit Watkins, Dave Sinclair, Chris Rainbow, Mickey Simmonds, Guy LeBlanc, Ton Scherpenzeel, and for their most recent show, captured on the new DVD, Pete Jones.

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Pete Jones is fascinating to behold throughout the concert. Though rendered sightless before age 2, he’s built a career as a composer and multi-instrumentalist, and released a very well regarded album under the moniker Tiger Moth Tales. His warm expressive vocals grace that solo work, and were put to excellent use with Camel. Jones sings on opener “Never Let Go,” then later “Air Born” and “Long Goodbyes.” The tenor of his voice, the lilt – it was like he was born to take these songs out live with the band. His keyboards throughout, and recorder solo on “Preparation” are sublime.

camel_moonmadness_72dpiAgain the set list includes a handful of tracks from Moonmadness, while touching on most of Camel’s other core records. It’s fairly common for Latimer and crew to say little between songs – to let the music and a bit of lighting speak for itself. True here again, as Latimer’s first interaction is, “How wonderful to be back in Tokyo after 16 years!” followed during the show with very brief introductions to the songs, and the naming of band members. As the show is in Japan, brevity seems appropriate, and as intended the music and fairly limited lighting effects set the stage. This affords an uninterrupted, bird’s eye view for the cameramen to put us right on stage, up close, most appropriate for any aspiring musician who may want to see just how those colorful notes are magically drawn by each musicians. Of the set, the band really stretches out on “Hopeless Anger” with a searing guitar solo from Andrew, dramatic deep toms from Clement and Jones giving his best. Sentimental ballad “Long Goodbyes” was dedicated by Latimer to two “dear friends” Chris Rainbow and Guy LeBlanc – who are on longer with us.

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Camel has been Latimer’s primary occupation, being the one remaining original member, composer and driving force and after a period of inactivity from 2003-2013 due to illness, he and the band have been back on the road for short tours several times over the last few years. Time has not diminished their skills, and we have in Camel an important and enduring ensemble of immense talent. The journey continues – check out this DVD to see how impressive and worthy their travels have been – here’s hoping they embark again.

The stats:

Ichigo ichie: Treasure every encounter, for it will never recur
Camel Live in Japan 2016

Andrew Latimer – guitar, vocals, flute and recorder
Colin Bass – bass guitar, vocals
Denis Clement – Drums, recorder
Peter Jones – keys, vocals, penny whistle

Filmed and directed by David Minasian
Assistant Director Trinity Houston

Recoded live at the Ex Theater Roppongi Toyko, Japan
Lighting design by Del Jones

 

Camel Coming Home

OLYMPUS DIGITAL CAMERACamel are one of the greatest yet least known of the “progressive rock” genre bands that came to life in the early 1970’s.  Associated with the Canterbury music scene in Britain, with Andrew Latimer (guitar, keyboards, flute, vocals) at the helm, the band navigates rock and jazz motifs, prog / space rock, and English folk.  Much of their work is surprisingly sunny – while Andy’s evocative guitar style might be compared to David Gilmore of Pink Floyd fame, there is less gloom in their work as a whole.  At the start, Peter Bardens (keyboards) co wrote the first six records from 1972’s self titled debut “Camel”, through 1978’s “Breathless.”  Peter left the band before the Breathless tour and went on to success as a solo “new age” music artist.  Other group members playing bass, keys, and drums have changed multiple times, with the most persistent member being Colin Bass, an amazing bass player who also offers warm vocals to many tracks since 1979.

The band has become Andy’s life occupation, being the one remaining original member, and who save for a hiatus from 1985-1990 remained productive, with regular releases and tours all the way through their 2003 tour.  At the end of that tour Andy and his wife moved from the US back home to Britain.  After a prolonged illness which made playing too difficult during the last ten years, Andy re-recorded their 1975 release “The Snow Goose” and booked a short series of concerts in Europe and the UK this fall to perform this release and a series of songs from their large catalog.  We flew to London to catch their stop at the Barbican Hall, October 28th, 2013.

The concert was a huge success.  The audience stood to applause for what seemed minutes before the band could play the first note.  Tears were shed.  Notes wound out of Andy’s Gibson Les Paul like siren songs.  Colin and Andy retain their rich vocals and the rest of the band played fabulously, as if no time had passed since their last outing.  The first half of the show found the band playing The Snow Goose in its entirety, with a few deviations from the original work, played beautifully and leaving the audience enraptured.  The second half of the show included early tracks starting with a half pace rendition of “Never Let Go” – beautifully executed, making it hard not to think of Andy’s triumph over health issues with the lyrics:
OLYMPUS DIGITAL CAMERAMan is born with the will to survive,
He’ll not take no for an answer.
He will get by, somehow he’ll try,
He won’t take no, never let go, no…

Then on to others including “Song Within a Song” from “Moonmadness,” a gorgeous rendition of “Tell Me” from “Rain Dances,” “Echoes” from “Breathless,” and the encore “Lady Fantasy” from Mirage.  Their 1979-1984 work was skipped to include more from “Harbour of Tears” and “A Nod and a Wink” – their 1996 and 2002 releases. While I would have included the mid-period work in the set list, it was really special to hear them play The Snow Goose and so many key tracks again after 10 long years.

The dynamics of Camel’s music are so important, where volume, drums, double keyboards and particularly Andy’s plaintive emotive guitar played live are beyond what can be captured on record.  Comparisons to Clapton, Gilmour and the great slow-hand note benders are apt – and fortunately for Camel’s rapt fans, time and illness did not diminish Andy’s skills nor those of his band.  Camel continues the journey and after such a long break, made a welcome visit home.